Showing posts with label Gervasio Gallardo. Show all posts
Showing posts with label Gervasio Gallardo. Show all posts

Tuesday, June 19, 2018

Ephemera for the Ballantine Adult Fantasy Series

I cover here some ephemera related to the Ballantine Adult Fantasy series. First, the boxed sets.  I know of three of them.

The first is The World of Lovecraft (SBN 345-01300-X, $3.80).  It contained four books, The Dream-Quest of Unknown Kadath, The Survivor and Others, The Fungi from Yuggoth and Other Poems, and The Doom That Came to Sarnath.  I understand it contains (though I don't have this set myself) the Second Printing, July 1971, of Dream-Quest; the First Printing, February 1971, of Doom; the Second Printing, February 1971, of The Survivor; and the Second Printing, February 1971, of Fungi. I suspect that the boxed set came out in July 1971, with the new printing of Dream-Quest.


The second is The Gormenghast Trilogy (SBN 345-23525-8, $3.75). This came out in September 1973, containing Fourth Printings of all three volumes.  


The third is the Evangeline Walton set (SBN 345-24208-4, $6.00). This came out in November 1974, when Prince of Annwn was first published.  It contains a Second Printing of The Island of the Mighty, a Second Printing of The Children of Llyr, a Third U.S. Printing of The Sword of Rhiannon, and a First Printing of Prince of Annwn, all dated November 1974. Technically, this boxed set post-dates the series proper. 



Interestingly, Ballantine published three posters related to the series.  These all showcase artwork by Gervasio Gallardo, but his illustrations for the Lovecraft covers are not really his best work.  I have somewhat shabby copies of all three posters, and have (with difficulty) photographed them. All three were issued in the Spring of 1971, priced $2.50 each.



An another front, my copy of Excalibur by Sanders Anne Laubenthal has a review slip in it:


And finally, some of the file copies owned by Betty and Ian Ballantine were sold in the past, and my Cabellian friend Bill Lloyd (see The Silver Stallion website) sent me this scan:


Does anyone know of further Ballantine Adult Fantasy series ephemera?  I'd be glad to hear of any such items.






Friday, June 1, 2018

Outliers and the Ballantine Adult Fantasy Series


The iconic list (or at least the starting point) for a definitive bibliography of all of the titles in the Ballantine Adult Fantasy series is the one by Lin Carter which appears as “Bibliography II” in his book Imaginary Worlds, published in June 1973, itself a volume of the series. Carter lists 57 numbered volumes of the series, as published from May 1969 through May 1973.  The series would officially last one further year, bringing the official total to 65 volumes.

But Carter’s list, even when extended with the further official titles, doesn’t cover outliers that, for one reason or another, seem like they should be considered as part of the series. There are three main types of potential outliers—fantasies published by Ballantine 1) before the series; 2) during the series, and 3) after the end of the series. Carter began his Bibliography in Imaginary Worlds by listing sixteen such precursors, noting “they are all books I would certainly have urged Ballantine to publish.”

I will consider these sixteen titles first, and list them here with Carter’s numbering.

1. J.R.R. Tolkien, The Hobbit [published August 1965]
2. J.R.R. Tolkien, The Fellowship of the Ring
3. J.R.R. Tolkien, The Two Towers
4. J.R.R. Tolkien, The Return of the King
5. J.R.R. Tolkien, The Tolkien Reader
6. E.R. Eddison, The Worm Ouroboros
7. E.R. Eddison, Mistress of Mistresses
8. E.R. Eddison, A Fish Dinner in Memison
9. J.R.R. Tolkien and Donald Swann, The Road Goes Ever On
10. Mervyn Peake, Titus Groan
11. Mervyn Peake, Gormenghast
12. Mervyn Peake, Titus Alone
13. David Lindsay, A Voyage to Arcturus
14. Peter S. Beagle, The Last Unicorn
15. J.R.R. Tolkien. Smith of Wootton Major & Farmer Giles of Ham
16. E.R. Eddison, The Mezentian Gate [published April 1969]

The J.R.R. Tolkien books (nos. 1-5, 9 and 15) were never published under the imprint of the unicorn’s head logo, but some of the others were. 

Seventh Printing: September 1973
Of the E.R. Eddison books (nos. 6-8, and 16), the U.S. “Seventh Printing (September 1973) of The Worm Ouroboros is the only printing of any of the titles with the unicorn’s head logo.  The first U.S. printing of The Mezentian Gate, however, is marked “A Ballantine Adult Fantasy” in small print running up the spine on the upper cover (it appeared in April 1969, the month before the series proper started).  All four Eddison titles were advertised and sold in their Pan/Ballantine editions as part of the Pan/Ballantine Adult Fantasy series, though they did not have the unicorn’s head logo.  

Fourth Printing: September 1973
Mervyn Peake’s books (nos. 10-12) have the unicorn’s head logo only on two U.S. printings of each of the three books:  the “Fourth Printing: September, 1973” and the “Fifth Printing: January, 1974”.  The Peake titles were not published in the Pan/Ballantine Adult Fantasy series, because the U.K. rights were held by another publisher, Penguin Books, who published editions of all three books in 1968, 1969 and 1970, respectively. The Penguin editions were reprinted a number of times over the next several years.

Second Printing: April 1973
Two U.S. printings of David Lindsay’s A Voyage to Arcturus have the unicorn’s head logo on the cover, the “Second Printing: April, 1973 (SBN 345-03208-X) and the “Third U.S. Printing: September, 1973” (SBN 345-23208-9).  The Pan/Ballantine edition of March 1972 (SBN 345-09708-4) has the unicorn’s head logo on the front cover; the second U.K. printing from 1974 (330-24057-9) has not been seen. 

Fourth Printing: October 1972
As for Peter S. Beagle’s The Last Unicorn, the unicorn’s head logo appeared on the “Fourth Printing: October, 1972”, probably on the “Fifth Printing: February 1973” [not seen], and definitely on the “Sixth Printing: September, 1973” and “Seventh Printing: February, 1974.”  Also, the phrase “A Ballantine Adult Fantasy” appears in small print running up the spine on the upper cover, on the first printing (February 1969) through the third printing (November 1970).

First Printing: February 1969
The Ballantine edition of Peter S. Beagle’s novel A Fine and Private Place also preceded the series proper. It came out in February 1969, but that the author was Beagle and that the cover art is by Gervasio Gallardo make it of interest to fans of the series. Also, as with The Last Unicorn and Eddison’s Mezentian Gate, the words “A Ballantine Adult Fantasy” appear in small print running up the spine on the upper cover.

First Printing: March 1969
Carter’s list excluded his own Tolkien: A Look Behind “The Lord of the Rings,” “First Printing: March, 1969,” which came out just before the series started. It is not usually considered to be part of the series, but it is probably of interest to most fans of the series.


Next come the various titles published by Ballantine while the series proper was ongoing (May 1969 through April 1974) that have some elements in common with the Ballantine  Adult Fantasy series, but which were never considered as officially part of the series.

First Printing: February 1971
H.P. Lovecraft. Fungi from Yuggoth and Other Poems. “First Printing: February, 1971”
This is a retitling of Lovecraft’s Collected Poems (1963), as edited by August Derleth and published by Arkham House.  The Ballantine Adult Fantasy series published other Lovecraft title, with cover art (as here) by Gervasio Gallardo.

Second Printing: February 1971
H.P. Lovecraft and August Derleth. The Survivor and Others. “Second Printing: February 1971”  This title was first published by Arkham House in 1957, and Ballantine published a first printing in mass market paperback in August 1962. For this Second Printing, a new cover was commissioned from Gervasio Gallardo. That these stories are bylined as “by H.P. Lovecraft and August Derleth” is a fraud.  They were entirely written by Derleth, who claimed them to be “posthumous collaborations” based on notes by Lovecraft, but these notes were (when discernable) minor idea fragments that barely resemble the stories Derleth wrote.

Fourth Printing: November 1971
Sometime, Never  (“Fourth Printing: November, 1971”) was originally published by Ballantine in June 1957.  It consists of three tales of “science Fantasy” by William Golding, John Wyndham, and Mervyn Peake. It was reprinted in September 1957, November 1962, and in November 1971 when it was given a new cover by Gervasio Gallardo.  The classic Peake story, “Boy in Darkness,” and the Gervasio Gallardo cover make it of special interest to fans of the series.

First Printing: November 1971
Isidore Haiblum. The Tsaddik of the Seven Wonders. “First Printing:  December, 1971”. This title is occasionally erroneously included in lists of the Ballantine Adult Fantasy series, but it had only one printing, and it never had the unicorn’s head logo on it. It is called by the publisher on the cover a Science Fantasy Novel.  The cover art is by David McCall Johnston, who did other covers in the Ballantine Adult Fantasy series proper.

First Printing: February 1972
Lin Carter. Lovecraft: A Look Behind the Cthulhu Mythos.” “First Printing: February, 1972”  Of Carter’s three works of nonfiction published by Ballantine, his Tolkien book preceded the Adult Fantasy series proper, and his Imaginary Worlds book was included as part of the series. Why his book on Lovecraft was not included in the series is unknown, but beside Carter’s authorship, and the subject, the cover art is by Gervasio Gallardo, and these three points make it of interest to fans of the series.


Finally, the last of the outliers come from June to November 1974, and comprise two books published after retirement of the unicorn's head logo.  These were originally intended for the series before it was cancelled. The first has a Carter introduction and the second completes a set of four begun during the series proper.

First Printing: June 1974
H. Warner Munn. Merlin's Ring. “First Printing: June, 1974” Munn’s book was clearly intended for the series, as it has the usual Lin Carter introduction proclaiming it to be in the series, and the wraparound cover art is by Gervasio Gallardo. It is among Gallardo’s very best.  There remains a small white circle on the front cover, here filled with the words “First Time in Print” but which was likely intended to house the usual unicorn’s head logo. A volume of associational interest, Merlin’s Godson by H. Warner Munn, came out as a “Ballantine Fantasy” with a gryphon logo on the cover in September 1976. It contains two prequel novellas, “King of the World’s Edge” and “The Ship from Atlantis,” originally published in 1939 and 1967 respectively.

First Printing: November 1974
Evangeline Walton. Prince of Annwn. “First Printing: November, 1974” This is the final volume of Walton’s reworkings of the four branches of the Mabinogion. The first three were published as part of the Ballantine Adult Fantasy series proper, and doubtless the fourth volume would have been too, if the series hadn’t ended some six months earlier.  And instead of an introduction by Lin Carter, Prince of Annwn has a puff piece from an article by Patrick Merla published in a November 1972 issue of The Saturday Review, that was also used to replace Carter’s introductions in the other three volumes as they had been reprinted.  The cover art is by David McCall Johnston, who also did the cover art for the second and third volumes of Walton’s series.

First Printing: July 1975
Also of interest to readers and collectors of the series is the one-volume edition of William Morris’s The Well at the World’s End which was published in July 1975 (345244826  $2.95), and reprinted in May 1977 (now labelled a “Ballantine Fantasy Classic,” 0345272390  $2.95), which uses two panels of Gervasio Gallardo’s art from covers of the two volume edition.

Any one care to suggest other possibilities?  Please do so in the comments below.

Update (8/26/18):  Per the second comment below, I add here the cover of Tales of a Dalai Lama by Pierre Delattre, published by Ballantine in January 1973 (345030486 $1.25), cover art by Philippe Gravesz.
First Printing: January 1973
Update (9/29/18): Here's another outlier of interest. For the sixth printing (June 1969), the seventh (January 1971), and the eighth (July 1971), Ballantine used a Bob Pepper cover on the classic Ray Bradbury collection The October Country (first published in mass market paperback by Ballantine in April 1956):



Monday, July 11, 2011

Pre-1970 Paperbacks with Comparisons to Tolkien

**updated entry**

Thanks in particular to Dale Nelson, and a few others who emailed me, I can now post a follow-up on what books published before 1970 have blurbs with comparisons to Tolkien.  There are no hardcovers here simply because I don't know of any, and no one suggested any **but see the comments below**.  Here are the results, chronologically (and subject to future revision!):

1965:  The Ace edition of Alan Garner's The Weirdstone of Brisingamen.  Interestingly, Ace had published their pirated edition of The Lord of the Rings in May (volume one) and July (volumes two and three) of 1965. The three volumes have cover art by Jack Gaughan, as does the Ace edition (G-570) of The Weirdstone of Brisingamen.  The blurb here merely calls the book "a fantastic novel in the Tolkien tradition."

1966 brings us two candidates.  The first published was probably Conan the Adventurer (Lancer Books, 63-526), by Robert E. Howard and L. Sprague de Camp. The front cover (with artwork by Frank Frazetta) doesn't make any comparion to Tolkien, but on the rear cover it says in large letters: "Adventures more imaginative than 'Lord of the Rings'". Conan the Adventurer was the first of an eleven volume series, but it is the only one with a blurb mentioning Tolkien's works.



The other candidate from 1966 is bibliographically confusing, and sometimes erroneously dated to 1965.  This is the Ace Books edition of Frank Herbert's Dune, published in hardcover by Chilton in 1965.  (Tolkien was sent a copy of the book by its editor at Chilton, Sterling Lanier, an author in his own right and a correspondent of Tolkien's.  When the British edition of the book was to be published in 1966, the British publisher Gollancz also sent Tolkien a copy of the book, requesting a blurb.  Tolkien declined, saying he found the book too distasteful.) The paperback edition of Dune published by Ace Books is undated, but on the cover it highlights the fact that the book was the "Winner of the Hugo Award and the Nebula Award for Best Science Fiction Novel of the Year".  The Nebula Award's banquet had been held on March 11,1966, where the first Nebula Awards were presented by the recently-formed organization of Science Fiction Writers of America. The Hugo Award was announced at the 24th World Science Fiction Convention, held in Cleveland, Ohio, from September 1st-5th, 1966.  Thus, by these dates, the Ace Book edition of Dune could not have come out until around the end of 1966.  The mention of Tolkien's The Lord of the Rings comes in a blurb by Arthur C. Clarke on the rear cover, where he says of Dune: "I know nothing comparable to it except The Lord of the Rings." (Clarke himself was an acquaintance of Tolkien's. Sometime in the mid-1950s they had lunched together with C.S. Lewis in Oxford, and Clarke spoke again with Tolkien in September 1957 when Tolkien's The Lord of the Rings was presented with an International Fantasy Award, just following the 15th World Science Fiction Convention held in London.) 


On to 1967, for which we have two entries **for three more entries, see addenda at bottom**, both books by E. R. Eddison and both published by Ballantine.  In April 1967 The Worm Ouroboros was published, and the front cover says "an epic fantasy to compare with Tolkien's 'Lord of the Rings'." (For the cover illustration see my previous post.)  Published in August 1967, Eddison's Mistress of Mistresses has a back cover blurb stating: "The second volume in the fantasy classic most often compared with J. R. R. Tolkien."

1968 brings another two examples, the first being the Paperback Library edition of L. Sprague de Camp's The Tritonian Ring, with a cover by Frank Frazetta. Here is the first real blurb that aims directly at Tolkien's readers:  "Thrilling sword and sorcery for the fans of Tolkien's 'Lord of the Rings.'"


And next we have another Alan Garner book, again published by Ace (G-753), The Moon of GomrathOn the back cover, it says "Here, told with the talent of a Tolkien and the wonder of an Andre Norton, is what befell the two Earthlings . . ." At the bottom  of the rear cover there is a bizarre quotation from a review (presumably of the hardcover edition of 1965) that was published in The New York Times: "From one Tolkien shiver to another, there is a gripping power to these episodes."  The front cover art is by the late Jeffrey Catherine Jones (1944-2011). 

 
The final book comes from 1969.  Nancy Martsch (via Dale Nelson) noticed that I missed one occurrance of a Tolkien-related blurb in the Ballantine Adult Fantasy series.  The July 1969 Ballantine edition of William Morris's The Wood beyond the World has a phrase in the back cover, noting that "William Morris has been described as 'obviously a Nineteenth Century Tolkien . . .' " The blurb is backgrounded by some foliage in Gervasio Gallardo's typical style, as is often fond in his many glorious covers for the Ballantine Adult Fantasy series.  I do not know where the "obviously a Nineteenth Century Tolkien" quote comes from, but it sounds rather like Lin Carter, the "Consulting Editor" (not the Editor, who was Betty Ballantine) of the whole Ballantine Adult Fantasy series, which ran from 1969 to 1974.  I plan to post a bunch of my work-in-progress on this series in the future. 



One last notice here. Thomas Kent Miller suggested the Curtis Books edition of Edison Marshall's The Lost Land (originally published as Dian of the Lost Land by Chilton  in 1968), but the undated edition by Curtis Books seems to have come out in 1972 (Curtis Books in fact published only between 1971-74), so that rules it out.  The blurb on it says:  "A Thrilling journey to a world beyond Middle Earth and Narnia". Here, at least, is an early misspelling of Middle-earth, a common error which continues to this day in major news organizations like The New York Times, which can never get it right. But a look at the wraparound cover for The Lost Land is still in order, for it's another Gervasio Gallardo cover, one of his more surreal types, but a Gallardo nonetheless, and one that isn't often seen.  
 



Interestingly, the bulk of these early blurbs seem to have originated with people who had some connections with Tolkien.  Betty and Ian Ballantine published The Hobbit and The Lord of the Rings with their firm in 1965.  The editor at Ace Books who published the pirated edition of The Lord of the Rings in 1965, and who published the Alan Garner books, was Donald A. Wollheim.  Though he professed himself to be no great fan of Tolkien's, Wollheim knew what sold, and was happy to supply book-buyers with what he expected would sell.  L. Sprague de Camp was another acquaintance of Tolkien's.  They began corresponding in 1963 and Tolkien entertained de Camp at his house in February 1967, as de Camp was returning to the U.S. from a trip to the Middle East and India.  Tolkien's acquaintance with Arthur C. Clarke and Sterling Lanier I have mentioned above, but one can also add Alan Garner's name to those connected to Tolkien.  Garner was a student at Magdalen College, Oxford, in the mid-1950s, and has acknowledged that he met both Tolkien and C.S. Lewis, though Garner claims that Tolkien's writings had no influence on him. Many readers question this assertion.  


Addenda:  Thanks again to Dale Nelson, we now have three more entries for 1967.  I don't have the months of publication for these titles, so the order given here is random.  But all three are from Lancer Books, a mass market company that published around 2,000 titles from 1962 to 1973.  The editor (after 1965) was Larry T. Shaw, who had edited a number of science fiction magazines in the mid-1950s.  The first is L. Ron Hubbard's Slaves of Sleep (Lancer 73-573). 




The requisite blurb is on the rear, and reads:  "SLAVES OF SLEEP is a magic carpet into adventure, romance, fantasy, and dazzling color. It rates a place on your shelves next to the works of Tolkien, Burroughs, and Robert E. Howard."


The next is a book by arch-Tolkien basher Michael Moorcock, The Jewel in the Skull (Lancer 73-688).  I don't have a scan of the back cover, where the blurb concludes:  "a stirring new saga of swords and sorcery by a brilliant writer, the first of a series destined to rank with the Conan series and the Lord of the Rings trilogy." 

And finally, another Conan book, The Hour of the Dragon (Lancer 73-572), by Robert E. Howard and edited by the ubiquitous L. Sprague de Camp.  The blub on the front cover reads (somewhat ungrammarically): "Howard's only book-length novel, worthy to stand beside such heroic fantasy as E. R. Eddison and J. R. R. Tolkien."