Showing posts with label Evangeline Walton. Show all posts
Showing posts with label Evangeline Walton. Show all posts

Friday, June 1, 2018

Outliers and the Ballantine Adult Fantasy Series


The iconic list (or at least the starting point) for a definitive bibliography of all of the titles in the Ballantine Adult Fantasy series is the one by Lin Carter which appears as “Bibliography II” in his book Imaginary Worlds, published in June 1973, itself a volume of the series. Carter lists 57 numbered volumes of the series, as published from May 1969 through May 1973.  The series would officially last one further year, bringing the official total to 65 volumes.

But Carter’s list, even when extended with the further official titles, doesn’t cover outliers that, for one reason or another, seem like they should be considered as part of the series. There are three main types of potential outliers—fantasies published by Ballantine 1) before the series; 2) during the series, and 3) after the end of the series. Carter began his Bibliography in Imaginary Worlds by listing sixteen such precursors, noting “they are all books I would certainly have urged Ballantine to publish.”

I will consider these sixteen titles first, and list them here with Carter’s numbering.

1. J.R.R. Tolkien, The Hobbit [published August 1965]
2. J.R.R. Tolkien, The Fellowship of the Ring
3. J.R.R. Tolkien, The Two Towers
4. J.R.R. Tolkien, The Return of the King
5. J.R.R. Tolkien, The Tolkien Reader
6. E.R. Eddison, The Worm Ouroboros
7. E.R. Eddison, Mistress of Mistresses
8. E.R. Eddison, A Fish Dinner in Memison
9. J.R.R. Tolkien and Donald Swann, The Road Goes Ever On
10. Mervyn Peake, Titus Groan
11. Mervyn Peake, Gormenghast
12. Mervyn Peake, Titus Alone
13. David Lindsay, A Voyage to Arcturus
14. Peter S. Beagle, The Last Unicorn
15. J.R.R. Tolkien. Smith of Wootton Major & Farmer Giles of Ham
16. E.R. Eddison, The Mezentian Gate [published April 1969]

The J.R.R. Tolkien books (nos. 1-5, 9 and 15) were never published under the imprint of the unicorn’s head logo, but some of the others were. 

Seventh Printing: September 1973
Of the E.R. Eddison books (nos. 6-8, and 16), the U.S. “Seventh Printing (September 1973) of The Worm Ouroboros is the only printing of any of the titles with the unicorn’s head logo.  The first U.S. printing of The Mezentian Gate, however, is marked “A Ballantine Adult Fantasy” in small print running up the spine on the upper cover (it appeared in April 1969, the month before the series proper started).  All four Eddison titles were advertised and sold in their Pan/Ballantine editions as part of the Pan/Ballantine Adult Fantasy series, though they did not have the unicorn’s head logo.  

Fourth Printing: September 1973
Mervyn Peake’s books (nos. 10-12) have the unicorn’s head logo only on two U.S. printings of each of the three books:  the “Fourth Printing: September, 1973” and the “Fifth Printing: January, 1974”.  The Peake titles were not published in the Pan/Ballantine Adult Fantasy series, because the U.K. rights were held by another publisher, Penguin Books, who published editions of all three books in 1968, 1969 and 1970, respectively. The Penguin editions were reprinted a number of times over the next several years.

Second Printing: April 1973
Two U.S. printings of David Lindsay’s A Voyage to Arcturus have the unicorn’s head logo on the cover, the “Second Printing: April, 1973 (SBN 345-03208-X) and the “Third U.S. Printing: September, 1973” (SBN 345-23208-9).  The Pan/Ballantine edition of March 1972 (SBN 345-09708-4) has the unicorn’s head logo on the front cover; the second U.K. printing from 1974 (330-24057-9) has not been seen. 

Fourth Printing: October 1972
As for Peter S. Beagle’s The Last Unicorn, the unicorn’s head logo appeared on the “Fourth Printing: October, 1972”, probably on the “Fifth Printing: February 1973” [not seen], and definitely on the “Sixth Printing: September, 1973” and “Seventh Printing: February, 1974.”  Also, the phrase “A Ballantine Adult Fantasy” appears in small print running up the spine on the upper cover, on the first printing (February 1969) through the third printing (November 1970).

First Printing: February 1969
The Ballantine edition of Peter S. Beagle’s novel A Fine and Private Place also preceded the series proper. It came out in February 1969, but that the author was Beagle and that the cover art is by Gervasio Gallardo make it of interest to fans of the series. Also, as with The Last Unicorn and Eddison’s Mezentian Gate, the words “A Ballantine Adult Fantasy” appear in small print running up the spine on the upper cover.

First Printing: March 1969
Carter’s list excluded his own Tolkien: A Look Behind “The Lord of the Rings,” “First Printing: March, 1969,” which came out just before the series started. It is not usually considered to be part of the series, but it is probably of interest to most fans of the series.


Next come the various titles published by Ballantine while the series proper was ongoing (May 1969 through April 1974) that have some elements in common with the Ballantine  Adult Fantasy series, but which were never considered as officially part of the series.

First Printing: February 1971
H.P. Lovecraft. Fungi from Yuggoth and Other Poems. “First Printing: February, 1971”
This is a retitling of Lovecraft’s Collected Poems (1963), as edited by August Derleth and published by Arkham House.  The Ballantine Adult Fantasy series published other Lovecraft title, with cover art (as here) by Gervasio Gallardo.

Second Printing: February 1971
H.P. Lovecraft and August Derleth. The Survivor and Others. “Second Printing: February 1971”  This title was first published by Arkham House in 1957, and Ballantine published a first printing in mass market paperback in August 1962. For this Second Printing, a new cover was commissioned from Gervasio Gallardo. That these stories are bylined as “by H.P. Lovecraft and August Derleth” is a fraud.  They were entirely written by Derleth, who claimed them to be “posthumous collaborations” based on notes by Lovecraft, but these notes were (when discernable) minor idea fragments that barely resemble the stories Derleth wrote.

Fourth Printing: November 1971
Sometime, Never  (“Fourth Printing: November, 1971”) was originally published by Ballantine in June 1957.  It consists of three tales of “science Fantasy” by William Golding, John Wyndham, and Mervyn Peake. It was reprinted in September 1957, November 1962, and in November 1971 when it was given a new cover by Gervasio Gallardo.  The classic Peake story, “Boy in Darkness,” and the Gervasio Gallardo cover make it of special interest to fans of the series.

First Printing: November 1971
Isidore Haiblum. The Tsaddik of the Seven Wonders. “First Printing:  December, 1971”. This title is occasionally erroneously included in lists of the Ballantine Adult Fantasy series, but it had only one printing, and it never had the unicorn’s head logo on it. It is called by the publisher on the cover a Science Fantasy Novel.  The cover art is by David McCall Johnston, who did other covers in the Ballantine Adult Fantasy series proper.

First Printing: February 1972
Lin Carter. Lovecraft: A Look Behind the Cthulhu Mythos.” “First Printing: February, 1972”  Of Carter’s three works of nonfiction published by Ballantine, his Tolkien book preceded the Adult Fantasy series proper, and his Imaginary Worlds book was included as part of the series. Why his book on Lovecraft was not included in the series is unknown, but beside Carter’s authorship, and the subject, the cover art is by Gervasio Gallardo, and these three points make it of interest to fans of the series.


Finally, the last of the outliers come from June to November 1974, and comprise two books published after retirement of the unicorn's head logo.  These were originally intended for the series before it was cancelled. The first has a Carter introduction and the second completes a set of four begun during the series proper.

First Printing: June 1974
H. Warner Munn. Merlin's Ring. “First Printing: June, 1974” Munn’s book was clearly intended for the series, as it has the usual Lin Carter introduction proclaiming it to be in the series, and the wraparound cover art is by Gervasio Gallardo. It is among Gallardo’s very best.  There remains a small white circle on the front cover, here filled with the words “First Time in Print” but which was likely intended to house the usual unicorn’s head logo. A volume of associational interest, Merlin’s Godson by H. Warner Munn, came out as a “Ballantine Fantasy” with a gryphon logo on the cover in September 1976. It contains two prequel novellas, “King of the World’s Edge” and “The Ship from Atlantis,” originally published in 1939 and 1967 respectively.

First Printing: November 1974
Evangeline Walton. Prince of Annwn. “First Printing: November, 1974” This is the final volume of Walton’s reworkings of the four branches of the Mabinogion. The first three were published as part of the Ballantine Adult Fantasy series proper, and doubtless the fourth volume would have been too, if the series hadn’t ended some six months earlier.  And instead of an introduction by Lin Carter, Prince of Annwn has a puff piece from an article by Patrick Merla published in a November 1972 issue of The Saturday Review, that was also used to replace Carter’s introductions in the other three volumes as they had been reprinted.  The cover art is by David McCall Johnston, who also did the cover art for the second and third volumes of Walton’s series.

First Printing: July 1975
Also of interest to readers and collectors of the series is the one-volume edition of William Morris’s The Well at the World’s End which was published in July 1975 (345244826  $2.95), and reprinted in May 1977 (now labelled a “Ballantine Fantasy Classic,” 0345272390  $2.95), which uses two panels of Gervasio Gallardo’s art from covers of the two volume edition.

Any one care to suggest other possibilities?  Please do so in the comments below.

Update (8/26/18):  Per the second comment below, I add here the cover of Tales of a Dalai Lama by Pierre Delattre, published by Ballantine in January 1973 (345030486 $1.25), cover art by Philippe Gravesz.
First Printing: January 1973
Update (9/29/18): Here's another outlier of interest. For the sixth printing (June 1969), the seventh (January 1971), and the eighth (July 1971), Ballantine used a Bob Pepper cover on the classic Ray Bradbury collection The October Country (first published in mass market paperback by Ballantine in April 1956):



Wednesday, May 2, 2018

Evangeline Walton in the Ballantine Adult Fantasy series


It was Paul Spencer, an acquaintance of Lin Carter’s in the James Branch Cabell Society, who recommended The Virgin and the Swine (1936), by Evangeline Walton (1907-1996), for the Ballantine Adult Fantasy series. Lin Carter and Betty Ballantine read it and approved of it, and they sought the author about reprint rights, initially thinking that she might be dead.  But they found that she had renewed the copyright in 1964, and contact was made, and a contract secured.

Both were happily surprised to learn that Walton had further unpublished manuscripts reworking other branches of the Mabinogion. She had initially planned to do only the fourth branch, but after it was published in 1936, she received a fan letter from John Cowper Powys, who encouraged her to continue with the other branches. Walton reworked the second and third branches into one huge novel of one hundred and eighty thousands words called The Brothers of Branwen, but she had troubles finding a publisher. Powys suggested she use his own literary agents in London (Pearn, Pollinger and Higham), and in July 1940 they nearly succeeded in selling The Brothers of Branwen to the Bodley Head, but the publisher got cold feet because of the size of the book and the paper shortages in England during the Second World War. After this, Walton ceased offering the manuscript to publishers.

After The Island of the Mighty (retitled from The Virgin and the Swine) was re-published by Ballantine in 1970, Walton returned to the manuscript of The Brothers of Branwen and split it into two books. In revised form these were published as The Children of Llyr and The Song of Rhiannon. In his introduction to The Children of Llyr, Carter noted that “as with the previous book, we decided to change the original title. Miss Walton had suggested The Doom of the Dark Woman, but the original tale upon which it was based was known widely in studies of Welsh and Irish mythological literature as ‘the tale of the children of Llyr.’ ” 

After The Song of Rhiannon was published, Walton returned to the first branch of the Mabinogion, which she had left unfinished after The Brothers of Branwen had failed to achieve publication, and the resultant Prince of Annwn was published by Ballantine in 1974, several months after the Ballantine Adult Fantasy series had ended. Thus Prince of Annwn  is not officially part of the series proper, and it (unlike the other three volumes) has no introduction from Lin Carter. After an article by Patrick Merla appeared in the 4 November 1972 issue of The Saturday Review, Carter’s introductions were replaced in most printings with an extract from Patrick Merla’s piece (the extract is identical in all books).  

Pan/Ballantine U.K. editions of the first three volumes were published in 1972 and 1973, but they did not publish the fourth book. Ballantine reprinted each of the four volumes a number of times (including Canadian printings), and a boxed-set of all four volumes was issued in November 1974. 

The original cover artists were Bob Pepper (for the first book) and David McCall Johnston (for the subsequent three), and Walton liked these covers very much. But she disliked the new covers by Howard Koslow put on all four volumes in 1978-79.  The printings with the Koslow covers were distributed in the U.K. in April 1980. 

Ballantine tinkered with the original covers as they reprinted the books, sometimes adding black or white spines, sometimes reversing the wrap-around cover art (making what had been on the reverse of the book into the front cover and vice versa).

I have marked the printings that I am missing as “not seen.”  If any reader of this blog has any of these printings and can supply scans of the covers, title and copyright pages, I’ll be grateful. Contact me at nodens100 at gmail dot com.


The Island of the Mighty
“First Printing: July, 1970” [Cover by Bob Pepper.]
“Second Printing: November, 1974” [Cover reversed, white spine.]
“Third Printing: November 1975”[Cover identical to Second Printing.]
“Third Printing: July 1977” [Actually the Fourth Printing.] [Cover orientation 
            matching Third Printing, but now has a black spine, and the Del Rey 
            logo on the upper cover.]
“Fifth printing: February 1979” [Cover by Howard Koslow.]

London:  Pan/Ballantine, [May] 1972

[The Lin Carter Introduction is only in the First Printing (and in the Pan/Ballantine printing). The Second through Fifth printings contain:  “On Evangeline Walton and Magic” by Patrick Merla, reprinted from The Saturday Review, 4 November 1972.]


1st printing
2nd and 3rd printings

4th printing
5th printing
 The Children of Llyr
“First Printing: August, 1971” [Cover by David McCall Johnston.]
“Second Printing: November, 1974” [Reverses cover illustration, white spine.] 
“Third Printing: November, 1975” [Cover identical to Second Printing.]
Third Printing: July 1977 [Actually the Fourth Printing.] [Not seen.]
“Fifth Printing: December 1978” [Cover art by Howard Koslow.]

London:  Pan/Ballantine, [May] 1972

[The Lin Carter Introduction is only in the First Printing (and the Pan/Ballantine printing). The Second through Fifth printings contain:  “On Evangeline Walton and Magic” by Patrick Merla, reprinted from The Saturday Review, 4 November 1972.]

1st printing
2nd and 3rd printings
5th printing
 
The Song of Rhiannon
“First Printing: August, 1972” [Cover by David McCall Johnston.]
“Second U.S. Printing: September, 1973”  [Cover identical to First Printing.]
“Third U.S. Printing: November 1974” [Reverses cover illustration, white spine.]
Fourth Printing: November 1975  [Not seen.]
“Fifth Printing: January 1979”  [Uncredited cover art by Howard Koslow.]

First Canadian Printing: September, 1972  [Noted in the “Second U.S. Printing: 
September, 1973”.]

London:  Pan/Ballantine, [December] 1973 

[The Lin Carter Introduction is only in the First and Second printings (and the Canadian and Pan/Ballantine printings). The Third through Fifth printings contain:  “On Evangeline Walton and Magic” by Patrick Merla, reprinted from The Saturday Review, 4 November 1972.]

1st and 2nd printings
3rd printing
5th printing

Prince of Annwn
“First Printing: November, 1974” [Cover by David McCall Johnston.]
“Second Printing: May, 1975”  [White spine.]
Third Printing: January 1977 [Not seen.]
Fourth Printing:  November 1977 [Not seen.]
“Fifth Printing: November 1978” [Uncredited cover art by Howard Koslow.]  [All copies seen are priced $1.75, but it is reported that some “Fifth Printing” copies are priced $1.95. This has not been seen by me.]

[All printings of Prince of Annwn have an introduction “On Evangeline Walton and Magic” by Patrick Merla, reprinted from The Saturday Review, 4 November 1972.]

1st printing
2nd printing
5th printing
Thanks to Jon Preece, Bill Lloyd, and Trevor Livelton for assistance on this entry. 

Sunday, November 27, 2011

Evangeline Walton News

For some time now I have been working with Evangeline Walton's literary heir, Debra L. Hammond, both in sorting the archive of papers and in preparing new Walton publications.  Some of the first fruits have begun to appear, so I'd like to bring notice to them here.

First, The Magazine of Fantasy and Science Fiction has just published a new short story we found in Walton's papers, "They That Have Wings". It appears in the November/December 2011 issue.  Some reader comments about this issue can be found here.  Also, I was interviewed about Evangeline Walton for the F&SF blog, and was able to expand on other Walton projects that are in the works.  See it here.

It is mentioned in the interview, but I'd also like to call attention here to the new website evangelinewalton.com where further information can be found.  We will post further news there as things develop.